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LunaOne Announces Campaign to Burn Nearly 90% of Total XLN Supply

Luna One

The campaign kicked off on April 10th, 2023, with the burning of one billion XLN in addition to revealing plans to burn 100% of the company’s XLN, which is nearly 90% of the total supply. LunaOne, a leading Web3 project harnessing virtual technology to create a premier entertainment multiverse, is proud to announce its XLN Burn Campaign, incorporating a further deflationary mechanism that rewards holders and encourages long-term investment. LunaOne seeks to leverage the burning of nearly 90% of the total XLN supply and the resulting scarcity to increase token value, making it more attractive to investors before the big launch. Burning tokens combats inflation and typically increases the value of token holdings—encouraging long-term investment and reducing short-term speculation or volatility. To strengthen community engagement at significant milestones, LunaOne has scheduled multiple burns within Q2, including 750,000,000 XLN on April 26th, May 10th, May 24th, and June 7th. The final burn amount will be determined June 21st, 2023. The final burn amount will be determined based on several factors including staked XLN, rewards for holders, contest payouts, promotions, and completing KYC for some XLN holders. The XLN Burn Campaign will not impact any relaunch plans, but rather provide significant benefits for the LunaOne multiverse and its holders. XLN will then become a hyper-deflationary token utilizing a deflationary utilization system. About LunaOne LunaOne is a hyper-realistic open-world concept with a focus on impactive gaming, education, work, and social life. The main mission of the LunaOne project is to lay the foundation for a global meta-infrastructure creating an enhanced ability to earn, study, play, and attend superior entertainment events—all powered by XLN. Website: www.lunaone.com Contact Details LunaOne Cory Cozad Info@lunaone.com

April 15, 2023 12:21 PM Eastern Daylight Time

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News Release

10 Best Proxy Server PS4 & PS5 Providers 2023 🎮

ProxyBros

What's a proxy server, and why do you need that for PS4 or PS5? Can a proxy server PS4 enhance your gaming experience? What is the best free proxy server, and which paid one will help you better? Learn all this and more, and find your best proxy server for PS4 and PS5 in this article! And before we get into the matter, here are the 10 best proxy server PS4 & PS5 providers in 2023 so far: MobileHop: Best for the US Gaming Experience Overall 🥇 Proxy-Sale: Best for Steam 🥈 Proxy-Seller: Best for Epic Games Products 🥉 Smartproxy: Best for Australian Gamers 🦘 Oxylabs: Best for the Largest Network 🌎 BrightData: Best for High-Speed Services 🚀 HideMyName: Best Cheap Proxy for Gaming of All IPRoyal: Best for the EU Gamers 🏰 NetNut: Best for Protecting Your Anonymity Storm Proxies: Best for Free Bandwidth 👍 What's a Proxy Server for Gaming? A proxy is a computer networking mechanism serving as a mediator between you and the service you need. Mostly, this is needed for load balancing, privacy, and security, but there are also additional benefits for different spheres. Why should I use a proxy on PS4 and PS5? Here is the answer: Gaming services may request extra apps for better connectivity. A console can repeatedly ask for such an application and lag if you have no proxy service. That often happens if your WiFi is unsecured, there is data corruption, hardware problems, or the PlayStation network bans you. Proxies ensure the possibility of interruptions is minimized. Your gaming console gets an additional security shield. PlayStation never uses VPNs directly, but a proxy service with rotating IPs can help gamers circumvent geo-restrictions. So, What Is the Best Proxy Server for PS4 and PS5? Discover the top proxy server address PS4 PS5 here! All of them are different and can be more helpful for a specific game. #1 MobileHop — Best for the US Gaming Experience Overall 🥇 IPs and locations MobileHop focuses on US locations. Moreover, it is rather precise because it gives you proxies by cities. So, you can get PS4/PS5 servers for Albuquerque, Jacksonville, Idaho Falls, Las Vegas, and other cities. It recently added San Francisco, Seattle, Dallas, and Orlando. Why this service? That is the hub of PS4 and PS5 servers with the highest-quality services prioritizing US players. It does not store logs, spoofs fingerprints, and uses more mechanisms to guarantee your security. #2 Proxy-Sale — Best for Steam 🥈 IPs and locations USA Kazakhstan France Germany England Netherlands Serbia Cyprus Ireland Malta Poland Canada, and many other regions. Why is this best? Proxy-Sale ensures high PS5 connection speed, as well as for PS4 players. It has flexible prices for all locations and can be the best option for NUMEROUS games. It even has specially designed proxies for Runescape Dofus Silkroad Metin 2 Lineage 2 WoW and other games. #3 Proxy-Seller — Best for Epic Games Products 🥉 IPs and locations Europe: Switzerland Sweden Denmark Spain Italy Malta Ireland Israel Romania France Finland Latvia Lithuania Germany England Sakartvelo Chezh, and some other countries. Asia: Taiwan Armenia Cambodia China India Indonesia Iran Japan Kazakhstan Turkey UAE and some other countries. North America: USA Canada Mexico The PS4 proxy service also provides services for South Africa, Brazil, Venezuela, and Australia. Why is this the best choice? This particular PS4 proxy service is versatile and flexible in price, and it is also the greatest option for Epic Games products like Fortnite, BulletStorm, Fall Guys, Alan Wake, etc. You acquire access almost immediately after purchasing it. It also has many subnets, and you can request multiple of those. You can change your proxy for another without paying extra if you have already purchased it for a long period. #4 Smartproxy — Best for Australian Gamers 🦘 IPs and locations Smartproxy has locs for almost all countries. It provides IPs in North America, South America, Africa, Europe, the Middle East, and Oceania. Creating a list of those here will take the whole website. But also, SmartProxy is a rare case that works with various locations in Oceania, such as Australia Fiji Micronesia Palau Tuvalu Christmas Island French Polynesia Nauru Papua New Guinea Vanuatu Cocos Islands Guam etc. Also, you can buy proxies for particular cities. Why choose SmartProxy? Besides the 195+ locs, this PS5 and PS4 proxy server provider guarantees a 99.99% uptime and 99.47% success rate and offers 50M+ residential, mobile, and data center IPs. SmartProxy is also great when you need PS5 servers for cheap. It also has the strongest support and a great community to help you. That is yet another best option for the fastest PS5 connection speed. #5 Oxylabs — Best for the Largest Network 🌎 IPs and locations Oxylabs covers over 195 countries. Worldwide is the only word for it. Why should I use a proxy server on PS4 from Oxylabs? Oxylabs is the synonym for high-speed, boosted cybersecurity, good expertise, and responsible support. This provider offers 100M+ residential proxies and 2M+ data center proxies — all at top speed and with great performance. Oxylabs is more suitable for business but can also be the handiest gaming tool. #6 BrightData — Best for High-Speed Services 🚀 BridghtData has five stars on most review platforms but deserves the night sky. That is a reliable proxy for gaming and other purposes, and the brand also contributes a ton to charity. Using BrightData, gamers get the needed fast connectivity with security and make this world healthier. #7 HideMyName — Best Cheap Proxy for Gaming of All This tested and trusted proxy provider protects all your passwords, transactions, and other data. HideMyName has been around for a long time, shows great performance, offers many locations, and has a strong customer protection policy. #8 IPRoyal — Best for the EU Gamers 🏰 IPRoyal has many payment plans and has made gaming-optimal ones the cheapest. This universal proxy solution focuses on business needs first and foremost but can provide great security and flawless connectivity for gamers alike. Note that this provider has more locations in the EU. Yet, it also works for the US and China. #9 NetNut — Best for Protecting Your Anonymity Staying anonymous on the net is important; NetNut can help you with that like nothing else. This cheap gaming proxy ensures fast performance and 100% informational safety online. #10 Storm Proxies — Best for Free Bandwidth 👍 Storm Proxies is another all-in-one service you can use for gaming. Moreover, the brand has created special services for gamers. Its wide bandwidth is 100% free! Furthermore, this best free proxy server has fast speeds and good support. Free Proxies VS Paid: Can a Free Proxy Carry You? 🤔 Free proxy servers are a popular consideration. Moreover, such apps and IP rotators can be costly, which does not help when a PS game already costs $50 and more. Like, excuse me, $30 for a security-boosting app when Dead Space is already $69.99, and Elden Ring is $59.99? Na, ima get a free proxy... The thing is, I do not recommend using even the best free proxy server. The so-called best free proxy app can be seemingly functional and helpful. Yet, practice shows that such tools usually have technical issues and only pretend to secure your device from digital threats. Moreover, the potentially best free proxy server will still have a lower speed than a paid one. Suppose you want a cool game and have two options: buy a licensed version or pirate it. You feel this difference, right? Sticking to the safest options is better, even when costly. Final Words 👋😀 Have you found the best proxy service for your needs? I hope yes! Stay safe, enjoy your gaming sessions, and may your PS always be protected! Best of luck! Contact Details Proxy Bros Nick +1 929-491-3157 hello@proxybros.com Company Website https://proxybros.com/

April 14, 2023 05:22 AM Eastern Daylight Time

Creative.ai redefines gaming video ad production using generative AI

Creative.ai

Generative AI is advancing and innovating vast swathes of work. Creative.ai has launched to bring this technology to video ads creation for mobile game publishers. Creative.ai is using generative AI to revolutionize the world of video ad production and ad analytics. Users simply need to input their desired ad parameters and then the Creative.ai AI algorithms take care of the rest; generating data-driven, measurable, and high-quality ads in a matter of minutes. Ads are produced 6x faster, enabling creative teams to focus on new concepts, while Creative.ai generates high performing iterations. All of this removes the heavy lifting and time-consuming process of manual ad production. In today's digital landscape, where Apple's App Tracking Transparency (ATT) framework has reshaped online advertising, a robust and innovative creative strategy is crucial for marketers to unlock success. As privacy takes center stage and tracking signals become limited, creatives have emerged as the most critical factor in driving profitable ad spend and achieving marketing excellence. Generating data-driven, high-performing, and captivating ads to engage your target audience is now possible with the advancements in Generative Ai technology that is made accessible through Creative.ai. Creative.ai is the evolution and brainchild of Athar Zia and Jay Shah, the founders’ previous venture, BLKBOX.ai. That platform analysed millions of dollars of ad testing data to unlock the DNA of a winning ad which helped it generate the blueprint for successful ad creation, something that was previously considered a "Black Box”. With the advancements in Generative AI technology, the founders were able to take the creative blueprint they had developed and, now, produce winning ads within minutes. “Creative.ai is a Generative AI Video Platform, leveraging millions of dollars of creative testing data within the Gaming vertical to unlock the DNA of a winning ad. This allows us to build data-driven, high-performing ads in a matter of minutes, empowering businesses to take their advertising efforts to the next level. Our platform is poised to revolutionize the way businesses approach their marketing strategies, and we're excited to see the unprecedented success it will bring to our clients” commented Creative.ai co-founder & CEO Athar Zia. “Performance marketing within Gaming is extremely scientific and measurable, yet creative production, and creative measurement are still stuck in the stone age with limited knowledge of what makes a winning ad, while assuming a 95% failure rate. It’s time for the industry to evolve, and leverage the advancements in Generative AI to produce data-driven ads that are measurable and deliver scaled performance” Creative.ai was founded in January 2023 by a team of seasoned experts in the advertising and technology industries including a former Meta ads auction expert [Athar Zia], and former Meta solutions engineer [Jay Shah]. Renowned creative production expert William Hughes joined as Chief Creative Officer having worked at EA, PopCap, BigFish, Social Point, and Tilting Point across more than 59 game titles. "User-Acquisition managers and creative teams are under pressure to deliver high-performing campaigns with limited resources. However, every decision is based on human interpretation of performance data, competitor and market analysis and production limitations leading to low performance. Generative AI replaces human bias and outdated production methods allowing studios to reduce overhead, increase production volume, and improve performance, giving creatives more time to be creative." added William Hughes, Chief Creative Officer at Creative.ai The Creative.ai team is of the firm conviction that the future of Gaming advertising lies in empowering user acquisition managers with tools that enable them to generate creative iterations faster to support their growth initiatives, without requiring any creative production skills. This will expand the scope of a user acquisition manager to include data-driven creative iteration production, while allowing creative teams to focus on what they do best, which is creating new concepts for business growth. User-generated content is a key feature in today's digital landscape. Creative.ai recognizes this and plans to roll out new technology features that enable advertisers to reduce the cost and time associated with producing user-generated content. This will allow businesses of all sizes to tap into the power of user-generated content and leverage it to drive growth and engagement. “The goal is to be the one-stop-shop where you can produce, test, iterate and get analytics on your creative strategy and production.We will do this by demystifying creative challenges and helping companies scale their advertising efforts profitably. Our advanced technology can produce highly-effective ads in a fraction of the time and we can share real-time analytics that highlight the DNA of a winning ad. This two pronged approach will enable businesses to focus on growth and success. We're excited to be at the forefront of advertising innovation and are looking forward to empowering businesses with the power of generative AI.” said Athar Zia. Contact Details Creative.ai Bilal Mahmood +44 7714 007257 b.mahmood@stockwoodstrategy.com Company Website https://www.trycreative.ai/

April 13, 2023 09:00 AM Central Daylight Time

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Mike The Pike Productions, Inc. (OTC: MIKP) Path to Pink Current: Company Files Form 10 w/Audited Financials Toward Becoming SEC Fully Reporting

Mike The Pike Productions, Inc.

McapMediaWire -- Mike The Pike Productions, Inc. (OTC: MIKP ) (“The Company”), ($MIKP), a fan-owned entertainment studio focused in the acquisition, development, and production of entertainment intellectual property through its wholly owned subsidiary www.ArowanaMedia.com, announces today that it has filed a Form 10 registration Statement with the U.S. Securities and Exchange Commission (“SEC”) to register its common stock under Section 12 of the Securities Exchange Act of 1934 and become a fully reporting company. Accompanying Form 10 are PCAOB audited financials. The PCAOB audit was conducted by Dan Barton of Barton CPA ( https://bartoncpafirm.com / ). The Form 10 registration statement automatically becomes effective sixty days post-filing. Following the effective date, the Company will be subject to the reporting requirements of the Exchange Act. The Company will begin filing annual reports with the SEC on Form 10-K, quarterly reports on Form 10-Q, periodic reports on Form 8-K, and subject itself to additional reporting obligations related to proxies, shareholder actions, and stock ownership rules. The Company will also be subject to U.S. GAAP reporting requirements with respect to the reports it files with the SEC. The increased regulatory oversight and credibility of being an SEC reporting company will assist investors in making more informed and educated investment decisions about the Company. As we understand, filing Form 10 with audited financials via EDGAR will satisfy requirements for Pink Current status with OTC Markets upon their acknowledgment and review of the filings accordingly. MIKP CEO states: “The filing of the Form 10 registration statement is a crucial milestone in our long-term efforts to provide increased transparency and accountability to shareholders. Our transition to a fully reporting company is just the first step in our elevating the Company to new horizons toward our goal of becoming a mini-major entertainment studio with a current focus in acquisition, development, and production of film/television/streaming projects along with investments and opportunities in gaming, web3 and metaverse, VR/AR, and artificial Intelligence." LIKE, FOLLOW & SHARE AT: Facebook: @arowanamedia Twitter: @ArowanaOfficial and @MTPprods IG: ArowanaMedia About Mike The Pike Productions (OTC: MIKP), Arowana Media Holdings and Mike The Pike Entertainment Mike The Pike Productions is a publicy traded media holdings company operating through its subsidiary Arowana Media Holdings, Inc. ( www.ArowanaMedia.com ), a fan-owned entertainment studio focused on IP Acquisitions, Development and Production, and building a diverse portfolio of IP for the entertainment marketplace. It does this via its flagship subsidiary, Mike the Pike Entertainment, LLC, which will acquire, incubate and develop IP which can then be used to complement horizontally integrated subsidiaries focused in Film/Television/Streaming, Publishing, Software/Gaming, esports, AR/VR, Web3, Metaverse, and Artificial Intelligence. CONTACT: CEO Mark B. Newbauer hey@mikethepike.com Contact Details Mark B. Newbauer hey@mikethepike.com Company Website http://www.arowanamedia.com/

April 10, 2023 09:00 AM Eastern Daylight Time

Copycat Killer Occupies Netflix Charts, and Leads More Taiwan’s Series to Global Markets

Taiwan Creative Content Agency

TAIPEI, TAIWAN - Media OutReach - 10 April 2023 - Audiovisual works from Asia have gradually secured their footing in global markets. After Korean films and series expand viewer bases, Taiwanese content has recently attracted international attention, including suspense series Light the Night and horror film Incantation. Since premiering on a streaming platform last week, Copycat Killer has created a new record in Taiwanese series history. It has landed on top 10 charts across 25 regions/markets worldwide, with viewing hours on the rise. Adapted from the eponymous award-winning novel by Japanese writer Miyuki Miyabe, Copycat Killer follows a serial killer case in the 1990s that underlines media manipulation and humanity. This original Mandarin-speaking series produced by GrX (Greener Grass Culture Co., Ltd.) was exclusively launched on Netflix on March 31 st. It has since won weekly champion titles in Taiwan, Hong Kong, Singapore, Thailand, and Vietnam. Furthermore, it has reached multiple markets in the Middle East (UAE, Kuwait, and Qatar), Europe (Greece and Romania), and Latin America (Mexico, Brazil, the Bahamas, and Uruguay). Appearing on top 10 charts across 25 markets, Copycat Killer is the first Taiwanese series that travels further and wider worldwide. This achievement is based on international co-production experiences in GrX over the years, including Korea, New Zealand, and Vietnam. Based on rational decisions and international market observations, says producer Phil Tang, “this is the first Mandarin-speaking series that widely reaches global audience on Netflix. We challenge ourselves in Copycat Killer to deliver groundbreaking narratives and quality. It also builds on decades of audiovisual production experiences in Taiwan”. Producer Hank Tseng, on the other hand, focuses on script development, storylines, context, cinematic languages, and genre series structural analysis. He also aims to deliver international levels in composition and aesthetics. With overwhelming feedback and responses worldwide, Tseng is grateful that “dubbing in multiple languages has overcome cultural differences, and resonated emotionally with viewers in different countries and markets”. Audiovisual content from Taiwan continues to expand international markets. The upcoming series by DaMou Entertainment, The Wave Makers, will be the first in Taiwan that circles around political aides. During the presidential campaign, a group of young aides struggle between life and work, while trying to keep their candidate in the lead. The Oracle Comes, adapted from the eponymous best-selling novel by Taiwanese writer Teensy that combines traditional beliefs and modern fantasy, will also be available on international streaming platforms. With the success of Copycat Killer, more audiovisual works from Taiwan will be recognized in the world. It’s a testimony that Taiwan can deliver international standards as an outstanding co-production partner in Asia. Studios in Taiwan are capable of producing quality content for global consumption with teams from different cultures. Contact Details Taiwan Creative Content Agency Shannie Hsu shannie.hsu@taicca.tw Taiwan Creative Content Agency Chia-Hua Yeh chiahuayeh@taicca.tw

April 10, 2023 09:00 AM Eastern Daylight Time

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News Release

Carl Dawkins Revealed as CEO of New Meme Coin Project Love Hate Inu as Presale Hits $3m

Finance News

Vote-to-earn meme coin Love Hate Inu ($LHINU) revealed today that the CEO behind this project is none other than famed meme coin creator Carl Dawkins. Dawkins is a legend in the meme coin community. His last project, Tamadoge ($TAMA), was a meme-infused play-to-earn gaming platform that exploded after launch. $TAMA shot from an initial presale price of $0.01 to an all-time high of $0.173 – a gain of more than 16x. $TAMA gained 10x from its initial exchange offering to its all-time high. Asked about his goal for Love Hate Inu, Dawkins says “I'm here to beat the 10x on Tamadoge.” Love Hate Inu presale is off to a hot start Based on how the Love Hate Inu presale has gone so far, Dawkins is on track to meet his goal. Love Hate Inu has raised more than $3 million in the first 3 weeks of the presale. The project has also added more than 32,000 followers on Twitter, a sign of just how mainstream Love Hate Inu is becoming. Some analysts have called it the best coin to buy today and have suggested it could be the next Dogecoin or Shiba Inu. Dawkins’ role at the head of the project has surely been part of the reason why Love Hate Inu has been so succesful. “I’m here to bring my skills to the table and develop the community to the next level,” he says. The presale is now in Stage 4 out of 8 and $LHINU is priced at $0.000105. There are only a few days left before the price increases again, so investors still sitting on the fence don’t have much time to lock in the current price. Visit Love Hate Inu Presale Creating a fair and transparent voting platform for Web3 Love Hate Inu is a meme coin at heart, but it’s far from a Tamadoge imitator. “I’m really pleased that Tamadoge is delivering on its roadmap in deadly serious fashion, if I can put it that way,” says Dawkins. “But Love Hate Inu is obviously a very different coin and project, so it stands on its own two feet, and isn’t simply riding on the back of Tamadoge.” In fact, Love Hate Inu is solving one of the biggest challenges in Web3: how to create a voting system that’s fair for users. Currently, most voting on blockchains takes place within decentralized autonomous organizations (DAOs). But Dawkins points out that he doesn’t “like DAOs because it is always the biggest wallet that wins. “With Love Hate Inu, we are bringing fairness to voting systems.” In Love Hate Inu, users who hold $LHINU tokens can stake them for 30 days to vote in polls. Voting power is determined by the amount of $LHINU users stake, not the total size of their holdings. This makes voting more fair and representative of the community, while limiting the ability of large investors to unduly influence outcomes. It also prevents bots from spamming Love Hate Inu surveys with fake votes. As Dawkins puts it, “Love Hate Inu has the serious side to it – trying to bring legitimacy to online voting through applying Web3, after seeing so many bots used on Twitter etc – while also having the playful side of it being an Inu coin and the community engagement that comes with that.” Visit Love Hate Inu Presale Disrupting the $3.2 billion survey industry Love Hate Inu may be cute and funny, but it’s also taking direct aim at the $3.2 billion online survey industry. The platform’s new vote-to-earn technology incentivizes $LHINU token holders to participate in polls in a way that simply isn’t possible on legacy platforms. Importantly, Love Hate Inu is built with utility in mind from the start. That sets it apart from past meme projects like Shiba Inu, which is trying to add functionality only after going viral. “We want to exploit the meme edge,” says Dawkins, “but at the same time show that this is a deadly serious project with a money-making vision we think can make it a stand-out product in the Web3 space, and a serious challenger to the legacy industry.” With that in mind, the Love Hate Inu team is already thinking about how to bring in revenue for the ecosystem. It’s planning to develop partnerships with major brands to enable them to create custom polls and engage the Love Hate Inu community. These brands can even offer their own vote-to-earn rewards, such as custom tokens or NFTs. Down the road, Love Hate Inu also has the potential to integrate into major metaverse platforms. Dawkins’ hope is that Love Hate Inu will become the go-to survey platform for emerging Web3 apps. “We are now ready to go full guns blazing to show the community the work that’s been going on by demonstrating the real-world use case for the Love Hate Inu platform,” says Dawkins. Love Hate Inu presale offers 90% of $LHINU token supply One especially notable feature of the Love Hate Inu presale is that up to 90% of the total $LHINU token supply is being made available to investors. This is unique within the crypto presale landscape and reflects the fairness and transparency that’s so key to Love Hate Inu. Since early investors will own 90% of the token supply, there’s very little chance of a rug pull. There’s no profit for the project team unless they deliver on the promise of Love Hate. This presale model also makes investing in one of the most promising crypto projects more democratic. Anyone can invest in the Love Hate Inu presale without restrictions on how they can use their money. As the project gets closer to launch, investors could potentially see significant gains from $LHINU. The expected initial exchange offering price of $0.000145 represents a 70% gain from the token’s initial price of $0.000085. Investors who buy today stand to earn paper gains of 38% when $LHINU lists on major exchanges. Even better, there’s no vesting period for the $LHINU token. This means that presale investors will receive 100% of their tokens before the initial exchange offering. Investors can buy Love Hate Inu during the presale with ETH, BNB, or USDT. Love Hate Inu was already one of the most exciting Web3 projects of the year. Now, with Dawkins at its head, investors can feel confident that this meme coin could be headed to the moon. Visit Love Hate Inu Presale Twitter | Telegram | Telegram Announcement | Instagram | Discord DISCLAIMER: This is not to be taken as investment advice. Crypto is a volatile asset, do your own research before investing and only invest money you can afford to lose. We may receive commission for clicking links in this article. Contact Details Finance News Alex Brown alex@financenews.com

April 07, 2023 03:22 PM Eastern Daylight Time

Accesso Technology Group says business is "back to normal"

Accesso Technology Group PLC

Accesso Technology Group PLC (AIM:ACSO, OTC:LOQPF) (AIM:ACSO, OTC:LOQPF) CEO Steve Brown speaks to Proactive after releasing preliminary full year results for calendar year 2022. Brown says that Accesso's results for 2022 show that the leisure business is now "back to normal" following the Covid-19 pandemic, with "all the sectors we serve back to normal operating parameters and normal operation volumes." He also highlights Accesso's balance sheet, saying that the company continues to explore acquisition opportunities. Contact Details Proactive UK Ltd +44 20 7989 0813 uk@proactiveinvestors.com

April 06, 2023 09:51 AM Eastern Daylight Time

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News Release

More than $10 million awarded to 671 Washington State arts and culture organizations through the Community Accelerator Grant program

Paul G. Allen Family Foundation

Today, ArtsFund and the Paul G. Allen Family Foundation announced the 671 grantees of the Community Accelerator Grant, a historic investment in Washington’s arts and culture sector. Administered by Arts Fund and funded by the Paul G. Allen Family Foundation, the program provides just over $10M in $2,500 to $25,000 grants across Washington state. The distribution comes just six months after the partnership was announced, in response to the continued sector need. Funding will provide essential resources to Washington organizations whose primary mission is to produce or support arts and culture activities. The unrestricted funding will boost arts organizations’ ability to invest in their missions and essential roles serving communities across the state. “We are so proud to highlight the breadth and depth of Washington’s rich cultural landscape and celebrate the leadership and vision of the Paul G Allen Family Foundation in funding this program,” said ArtsFund CEO and President, Michael Greer. “Our hope is that their philanthropy inspires others to continue to invest in this sector and see how possible it is to make an investment that is meaningful, equitable, and expeditious.” Grants were awarded to every eligible organization that applied, with an average award of $14,909. The total funding pool of $10M responds to approximately two-thirds of total requested funds. Nearly 70% of the grantees reported annual budgets of less than $500,000. Organizations in 35 of Washington’s 39 countries are included. “This community-driven model distributes urgently needed capital quickly, equitably, and efficiently to arts and culture organizations that are so important to a vibrant, healthy community,” said Lara Littlefield, executive director on behalf of the Paul G. Allen Family Foundation. “We are heartened by the diversity and geographic reach of this program as well as the speed and efficiency in which it was administered thanks to ArtsFund and the Community Advisory Panel.” The Community Accelerator Grant program prioritized funding to communities that are underrepresented in other funding programs – specifically, in rural communities, and for BIPOC, LGBTQ+, and people with disabilities. The application was designed to be low-barrier, with the goal that no organizations would find it too complicated, or that the information requested was too cumbersome. All eligible applicants received a grant. Applicants were asked to what degree they felt that this grant might positively impact their ability to build capacity and increase their sustainability. Organizations reported anticipating an additional $2 raised for every $1 of their grant. Representation of priority populations was an important consideration for the program. More than half of the grants are to organizations with a minimum 25% BIPOC representation on both Board and staff. See the complete list of grant recipients HERE. Community Advisory Panel The program was informed by a Community Advisory Panel who advised ArtsFund on the application design, outreach, evaluation and outcome. Panelists included: Beth Takekawa, Wing Luke Museum of the Asian Pacific American Experience (retired) Ginger Ewing, Terrain Jane Broom, Microsoft Corporation Karen Hanan, ArtsWA (Washington State Arts Commission) Katie Carter, Pride Foundation Lorin Schmit Dunlop, M. J. Murdock Charitable Trust Manny Cawaling, Inspire Washington Michael Greer, ArtsFund Molly Sanchez, Innovia Foundation Shelly Wynecoop, Spokane Arts Stephanie Ellis-Smith, Phila Engaged Giving Troy Coalman, Wellspring Family Services ArtsFund considered applications based on representation of and centering of BIPOC, LGBTQIA+ and people with disabilities, geographic location, and on the reported potential impact of the grant on organizations’ fundraising. Grant funds are unrestricted and may be used as each organization self-determines. Grant recipients cite the top uses for funding, in order of priority, include salaries and labor; programming; rent, mortgage and facility upgrades; personal protective equipment and COVID preparedness; and communications and marketing, with more than 80% of organizations citing salaries and labor, and programming as their top needs. The initiative follows two and a half years of pandemic impacts on the arts and culture sector, which experienced drops in revenue, challenges with reopening logistics, audience hesitation to return to pre-pandemic levels of cultural participation, and workforce impacts, as detailed in ArtsFund’s COVID Cultural Impact Study: ArtsFund.org/CCIS that was partially funded by the foundation. This $10 million investment in the sector responds directly to the study’s recommendations to expand and sustain support for arts and culture organizations as a strategy for social impact, and to provide unrestricted funding in support of the long-term adaptation of the industry. To receive updates from ArtsFund and find out about future opportunities, please sign up for ArtsFund Newsletter | ArtsFund About ArtsFund About ArtsFund ArtsFund supports the arts through leadership, advocacy, and grantmaking in order to build a healthy, equitable, and creative Washington. Founded in 1969, the Seattle-based nonprofit has been building community through the arts for more than 50 years. ArtsFund was originally founded to bring corporate and civic leaders together to help establish and sustain our region’s arts and cultural institutions. Over its grantmaking history, ArtsFund has supported more than 650 arts organizations with more than $100 million in grants, and provided valuable leadership and advocacy. Learn more at www.artsfund.org About Paul G. Allen Family Foundation Founded in 1988 by philanthropists Jody Allen and the late Paul G. Allen, co-founder of Microsoft, the foundation invests in communities across the Pacific Northwest to enhance the human experience of arts & culture, center under-served populations, and mobilize young people to make impact. In addition, the foundation supports a global portfolio of nonprofit partners working across science and technology solutions to protect wildlife, preserve ocean health, and create lasting change. The foundation also funds the Paul G. Allen Frontiers Group, which works to advance cutting-edge research in all areas of bioscience. Learn more at www.pgafamilyfoundation.org. Contact Details Calandra Childers, VP of Strategic Initiatives & Communications ArtsFund +1 206-788-3051 calandrachilders@artsfund.org Company Website http://www.artsfund.org/accelerator

April 04, 2023 07:00 AM Pacific Daylight Time

TRON Lightcycle / Run presented by Enterprise Opens at Walt Disney World® Resort

Enterprise Holdings

Enterprise is thrilled to continue its collaboration with Disney Parks and Resorts and help shape the future of Tomorrowland at Magic Kingdom ® Park as presenting sponsor of TRON Lightcycle / Run. Now open at Walt Disney World ® Resort, TRON Lightcycle / Run is one of the fastest coasters at any Disney theme park in the world and masterfully blends thrills with speed, visual effects, music and a one-of-kind system to create an experience like no other. Guests, also known as Users, are digitized into a mysterious game world. As members of Team Blue, they board high-speed Lightcycles for a thrilling race through a dark, computerized world, facing off against a fierce group of Programs known as Team Orange. “As a global leader in providing solutions to help move people and goods more seamlessly, Enterprise jumped at the chance to serve as the presenting sponsor of this innovative and groundbreaking attraction,” said Kyle Sanborn, Vice President of Global Brand Strategy and Marketing Activation at Enterprise Holdings. “No matter the need – from business and leisure travel to trucks and replacement rentals, vehicle sales and exotics, even custom solutions for business and fleet programs – the Enterprise team is up for the challenge. Intuitive and flexible, we strive to adapt with you as your needs evolve – now, and into the future.” Enterprise branding has been incorporated throughout the attraction experience including on the marquee sign, in ambient signage, in the entry queue and instructional signage, and at the attraction’s post-show space. After competing in an epic race and returning to Tomorrowland, Team Blue Users are introduced to a bold new race team being welcomed in the post-show space presented by Enterprise: Team Green. Serving as a centerpiece is Team Green’s one-of-a-kind, powerful and state-of-the-art Lightcycle. The latest and most-advanced iteration to join the competition, this formidable vehicle has been exported from the Grid into the real world. As it awaits its turn to race, its engine revs with pulsating green lights – creating an incredible photo opportunity. Enterprise adopted TRON’s Team Green moniker to showcase a range of programs throughout the post-show space that embody the competitive advantage and shared vision of Enterprise Holdings, which is constantly innovating to deliver an exceptional experience to meet customers’ unique travel needs and preferences. Stories about the 12 team members of Team Green will rotate throughout the display in the post-show space, providing returning Users an opportunity to learn more about Team Green on future visits to TRON Lightcycle / Run. St. Louis-based Enterprise Holdings, which manages the Enterprise Rent-A-Car brand, has developed and cultivated a broad portfolio of business lines over 65 years designed to meet the evolving needs of customers and deliver innovative solutions for both consumers and businesses. “When you ride with Team Green, you’re supported by a collective of more than 80,000 global employees linking you into one of the largest transportation networks in the world,” said Sanborn. “Empowered to help you succeed, Enterprise is here to help you understand and harness the power of our latest advancements. Our people, vehicles, and infrastructure are a gateway to emerging and advanced technology.” “Enterprise and Disney share a dedication to incredible guest experiences,” said Erika Shen, Vice President of Alliance Management at The Walt Disney Company. “We were delighted to build upon our existing relationship with Enterprise through an elevated sponsorship opportunity of TRON Lightcycle / Run. Our collaboration on the post-show space which embodies Enterprise’s innovative vision, tells the story of their brand, and showcases a one-of-a-kind Lightcycle for guests to see.” Enterprise is in a multi-year alliance relationship with Disney Parks & Resorts, and is the Official Rent-A-Car of Walt Disney World ® Resort, Disneyland ® Resort, Disney Vacation Club ®, Disney Cruise Line ® and Aulani, a Disney Resort & Spa ®. In addition to serving as the presenting sponsor of TRON Lightcycle / Run, Enterprise signage and support can be found at Walt Disney World ® Resort and Disneyland ® Resort locations, including: The Luigi’s Rollickin’ Roadsters attraction in Cars Land at Disney California Adventure Park The Tomorrowland Transit Authority PeopleMover at Magic Kingdom Park ESPN Wide World of Sports Complex on the courtesy shuttle carts onsite at the property run Disney ® Events at Walt Disney World Resort – Enterprise is an official sponsor of run Disney and has race-day branding at events including Walt Disney World Marathon Weekend, Disney Princess Half Marathon Weekend, run Disney Springtime Surprise Weekend and Disney Wine & Dine Half Marathon Weekend. For more information about TRON Lightcycle / Run, visit DisneyWorld.com/TRON. For more information about Enterprise, visit enterprise.com. About Enterprise Holdings Enterprise Holdings is a leading provider of mobility solutions including car rental, fleet management, carsharing, vanpooling, truck rental, luxury rental, retail car sales and vehicle subscription, as well as travel management and other transportation technology services and solutions, to make travel easier and more convenient for customers. Enterprise Holdings’ subsidiaries and franchisees, together with its affiliate, Enterprise Fleet Management, manage a diverse fleet of 2.1 million vehicles through an integrated network of more than 10,000 fully staffed neighborhood and airport rental locations in more than 90 countries and territories. Privately held by the Taylor family of St. Louis, Enterprise Holdings manages the Enterprise Rent-A-Car, National Car Rental and Alamo brands. About Disney Parks, Experiences and Products Disney Parks, Experiences and Products brings the magic of The Walt Disney Company’s powerful brands and franchises — including Disney, Pixar, Marvel, Star Wars, ESPN, Twentieth Century Studios and National Geographic — into the daily lives of families and fans around the world to create magical memories that last a lifetime. When Walt Disney opened Disneyland in Anaheim, California, on July 17, 1955, he created a unique destination built around storytelling and immersive experiences, ushering in a new era of family entertainment. More than 60 years later, Disney has grown into one of the world’s leading providers of family travel and leisure experiences, with iconic businesses including six resort destinations with 12 theme parks and 53 resorts in the United States, Europe and Asia; a top-rated cruise line fleet of five ships with three more planned in the coming years; a luxurious family beach resort in Hawaii; a popular vacation ownership program; and two award-winning guided tour adventure businesses. Disney Imagineers are the creative force behind Disney theme parks, resort hotels and cruise ships globally. Disney Consumer Products, Games and Publishing includes the world’s leading licensing business; one of the largest children’s publishing brands globally; one of the largest licensors of games across platforms worldwide; and consumer products at retail around the world. Contact Details Enterprise Holdings Mike Wilmering michael.wilmering@ehi.com

April 04, 2023 09:00 AM Eastern Daylight Time

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